If you love everything that’s weird and wonderful about early violin music, these recordings are for you. Andrew Manze is surely the most knowledgeable and. Find album reviews, stream songs, credits and award information for Heinrich Ignaz Franz von Biber: Violin Sonatas – Romanesca on AllMusic – Heinrich Ignaz Franz von BIBER () The Complete Violin Sonatas Igor Ruhadze (solo violin) Ensemble Violini Capricciosi rec. Westvestkerk.
|Published (Last):||26 January 2004|
|PDF File Size:||5.78 Mb|
|ePub File Size:||19.50 Mb|
|Price:||Free* [*Free Regsitration Required]|
Sonata 15 is famous for one of its themes, which matches the theme of Paganini ‘s Caprice No. Together they had 11 children, bober of whom survived to adulthood. Jazz Latin New Age. This page has been archived and is no longer updated. It is often regarded as one of the earliest pieces of music composed for the solo violin. To me, this helps emphasise the pastoral element of the music. Biber was something of a 17th century Paganini, a formidably talented and innovative violinist.
Biber: Violin Sonatas from the Kremsier Archive
Biber Violin Sonatas Review. Among these are the Battaliaa bober “battle” piece which anticipates such latter-day techniques as polytonality and col legno playing,  and the Sonata representativaanother typical 17th-century piece similar to works by Walther and Farina, which imitates various birds and animals.
Finally, manuscript sources include numerous other pieces: Andrew Manze et al choose to adopt a slightly slower tempo than that of Ruhadze, though the final two sonatas are quite a bit brisker.
In the extant copy of the collection, each piece is accompanied by a small engraving depicting the mystery it portrays, while the image an ink drawing preceding the passacaglia depicts a guardian angel with a child.
The sad fact that much of Biber’s music is still oddly overlooked makes this excellent 2-CD set by Romanesca a welcome treat, particularly as it features all eight of Biber’s violin sonatas from recorded in their entirety for the first time. No other chamber works by Biber use such devices, and the only other pieces to use scordatura are two of the sonatas included in Sonatae violino solo of In contrast to both Mystery Sonatas and Harmoniathese works consist mostly of pieces in free forms prelude, aria or variations, rather than dances.
He seems to have been even more highly valued as a composer in his day though, and it’s thanks to the extraordinary music he wrote for the violin that we can build up a vivid picture of the heights to which he took the art of violin playing at that time.
He also excelled at counterpoint, frequently writing fully polyphonic textures, with much use of multiple stops. He was also a prolific composer of sacred vocal works: In tribute to the Emperor Henry IIthe second founding saint of the conventshe took the name Maria Rosa Henrica when her novitiate began in All in all, these CDs offer a wonderful trip around the world of Baroque music and ideas, in all their diversity, and are a real treasure.
Yet another area in which Biber made a substantial contribution was the art of scordaturai. It comprises sixteen pieces: You can also use this FreeFind but it is not so comprehensive.
The notes, as well as the ideas, flow like water in these kaleidoscopic works, but also show that Biber was capable of music of great beauty and reflection as well as virtuosity. Finally, much of Biber’s music employs various forms of number symbolismaffektenprogrammatic devices, etc.
More by Heinrich Ignaz Franz von Biber
For out and out eccentricity, though, the Sonata Representativa wins hands down, with its incredible creature impersonations including an amazing violinistic impression of a cat meouwing and a Musketeer’s March which Manze and company capture with an abandoned mixture of Eastern exoticism and bober than a hint of blue grass!
May Learn how and when to remove this template message.
bibeg The sonatas were dedicated to Maximilian Gandolph von Khuenburg, whom Biber addresses in the preface: Links Reviews available at www. This article needs additional citations for verification. From Wikipedia, the free encyclopedia. His musical and social careers flourished: Release Date August 16, This set is a real winner when it comes to less known sonatas.
It contains seven partitas for two instruments and basso continuo: An expansive setting of the mass for sixteen voices and 37 instrumentalists i.
Heinrich Ignaz Franz Biber – Wikipedia
It is the slowest of the three that I know, but this does not tell the whole story. The instrumentation includes not only string ensembles, but also oboescornettstrumpetsand timpani. His technique allowed him to easily reach the 6th and 7th positionsemploy multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.
Today, it is widely performed and recorded.
The second work in which Biber explored scordatura techniques is Harmonia artificioso-ariosahis last known published collection of instrumental music. The sonatas, composed aroundwere not published untilalthough they were well known before their publication due to their technical demands. Steck ‘s readings are technically unimpeachable, and his feel for the role violin textures play in Biber ‘s music is enough violim recommend this disc. The Mass of Saint Henry is scored for a five-voice choir with two soprano lines and an orchestra of two violins, three violastwo trumpets, timpani and continuo, with optional extra trumpets somatas sackbuts to double the voice parts.
Six of the biner require scordatura tunings, including those for viola and two violas d’amore; Biber utilises the full potential of the technique, including all possibilities for complex polyphony: Sexy Trippy All Moods. This sonata could possibly be attributed to Bertali except vjolin the violin passages are sometimes more fanciful than any other in Bertali’s works.
Biber died in Salzburg inand his grave is located in Petersfriedhof. Streams Videos All Posts.
The Sonata in D of Georg Muffat is a sonatad German work of the same period, lacking the extreme qualities of the Biber but instructive by contrast.
It may not be my first choice, especially in the Rosary Sonatas.