Type: Chapter; Page start: ; Page end: Is part of Book. Title: Black American cinema; Author(s): Diawara, Manthia; Date: ; Publisher: Routledge . Type: Chapter; Author(s): M Diawara; Date: Is part of Book. Title: Black American cinema; Author(s): Diawara, Manthia; Date: ; Publisher: Routledge . According to Diawara, in Hollywood films the African American characters are portrayed as some form of ‘bad’ whereas the White Americans.

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Oxford University Press is a department of the University of Oxford. In the film, one white man kills 6, Africans. Leave a Reply Cancel reply Enter your comment here Diawara suggests that, to some degree, the terms resisting spectator and black spectator are interchangeable, for many African American filmgoers long have had to resist and negotiate with the ways in which they historically have been manthoa on the silver screen.

Gerima, born in Ethiopia, gives the example of displaced identification using an actual film he recalls from his early years. The manner in which Black spectators may circumvent identification and resist the persuasive elements of Hollywood narrative and spectacle informs both a challenge to certain theories of spectatorship and the aesthetics of AfroAmerican independent cinema.

Soviet cinema and the fantasy of no limits. Edited By Manthia Diawara.


Black Spectatorship: Problems of Identification and Resistance | Screen | Oxford Academic

It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Film distribution in Greece: In this article I posit the interchangeability of the terms “Black spectator” and “resisting spectator” as an heuristic device to imply that just as some Blacks identify with Hollywood’s images of Blacks, some White spectators, too, resist the racial representations of dominant cinema.

By continuing to use this website, you agree to their use. I should note that I am not under any circumstances spectattorship to suggest that one Black work will satisfy the Black monolith, because no such thing exists. Sign In or Create an Account. Notify me of new comments via email. Most users should sign in with their email address.

Email alerts New issue alert. You are commenting using your Twitter account. It must fully complicate and problematize every questionable representation. To find out more, including how to control cookies, see here: Problems of Identification and Resistance Manthia Diawara.

Email required Address never made public. Sign in via your Institution Sign in. Whenever Blacks are represented in Hollywood, and sometimes when Hollywood omits Blacks from its films altogether, there are spectators who denounce the result and refuse to suspend their disbelief.

Problems of Identification and Resistance: But if this cinema is to exist, sustain itself, even thrive it must do as Diawara says. Therefore, as consumers, we should constantly analyze and critique popular culture. Post was not sent – check your email addresses!


Africans have their own oral tradition around the fire. Create a free website epectatorship blog at WordPress.

Response: Diawara, Black Spectatorship

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Search all titles Search all collections. Citing articles via Web of Science If you originally registered with a username please use that to sign in. I do want to point out, however, that essays can be written at-length on the issue because of gaping absences and omissions of Blackness and formulaic treatments of Blackness—or any underrepresented identity—on the whole. Meta Register Log in. You are commenting using your Facebook account.

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Furthermore, one can certainly understand how this form of spectatorship can and should extend to other forms of popular culture. Dominant cinema is so good, and so universal that it is imposed, engraved even, on the rest of the world to the point of colonial self-loathing. About The Blog Bio. First Mantyia 18 August To purchase short term access, please sign in to your Oxford Academic account above.